《死亡詩社》|致敬最珍貴的你

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死亡詩社，1989拍攝完成，電影大背景是是建立在美國50年代末開始的教育改革到60-70年代的課程改革，到最後八十年代的全新教育改革，教育理念的重大轉變就是這個影片所背負的時代大背景，這是一部傳遞靈魂力量的影片，榮思期望能和大家分享這種力量。

中國，從古至今從來不是一個漠視教育的國土，可是為什麼直到今天，我們的教育體系任然不能培養出來具備獨立人格獨具靈魂的個體呢？

榮思認為，我們需勇氣和態度去面對改革，去培養和發現屬於學生個體的靈魂，

榮思認為：教育的根本在於培養學生學會自我思考，發覺自我，實現自我。

讓我們來一起說說《死亡詩社》,在一張已故校友的畢業照前基汀開始了他的第一課：carpe diem（拉丁語，意為抓緊時間，及時行樂）,sezie the day，make your lives extraordinary。(抓緊時間，讓你的生活與眾不同)就這樣開始了他不同尋常的課程，讓學生們撕去了猶如聖經般的教科書上伊凡所寫的前言，告訴他們詩歌是美麗的，浪漫的，我們為他而活；讓學生們站在課桌上叫他們用自己的眼光看待世界，無論這是否看起來愚蠢或者不正確，你必須要嘗試；在操場上踢球前每人大聲朗誦一句詩；逼迫膽小的托德傾瀉出內心真正的詩句。學生們被感染了，並追隨著基汀的腳步創建了自己的死亡詩社。

基丁老師用他所特有的方式帶領學生去體驗，帶領學生去探求自己的節奏，開拓學生們的眼界，啟發學生們的思考，引導學生們的思想，讓學生們不再死板地墨守成規，而是釋放屬於自己的人生價值！

他們開始有勇氣去追求自我的價值，尋找自己所喜愛的事物並付出不懈努力去對之追逐。

「死亡詩社」代表著一種對身為人，身為個體的獨立態度。

整部影片沒有跌宕起伏的情節波動，沒有令人震撼的宏大場面，沒有熱血沸騰的動作大戲，她是那麼的樸素，樸素的開場，樸素的敘事，樸素的場景，樸素的演員，每一個鏡頭都像一幅淡雅的素描，離生活很近，與真實不遠。但她又是那麼的富有力量，有力的情節推進，有力的台詞語言，有力的思想內涵，每一句台詞和每一個人物，都用詩意的方式傳遞關於人生、關於生活的真諦。「抓緊時間，孩子，讓你的人生不同尋常！」、「站上講台，用不同的眼光看待世界」、「及時採擷你的花蕾，舊時光一去不回」......如此這般的詩句，如此這般的態度，如此這般的思想，讓這部影片非同尋常。

這部影片獲得了那一年的金球獎最佳劇本獎，實至名歸。

下面，榮思想要給大家看看那些貌似平凡詩集的出處。

寫在詩社」寶書」的扉頁上的那段話來自美國作家THOREAU(1818-1862)的《瓦爾登湖》.

1845年,28歲的THOREAU在好友EMERSON的林地里的WALDEN湖畔蓋了座木屋住下,此後兩年多里他過著清心寡欲,自給自足的生活,並時常記下自己的所思所想所悟,於是就有了這樣一本書.

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have somewhat hastily concluded that it is the chief end of man here to "glorify God and enjoy him forever."

Henry David Thoreau:Walden,or Life in the Woods

我到林中去，因為我希望謹慎地生活，只面對生活的基本事實，看看我是否學得到生活要教育我的東西，免得到了臨死的時候，才發現我根本就沒有生活過。我不希望度過非生活的生活，生活是那樣的可愛；我卻也不願意去修行過隱逸的生活，除非是萬不得已。我要生活得深深地把生命的精髓都吸到，要生活得穩穩噹噹，生活得斯巴達式的，以便根除一切非生活的東西，划出一塊刈割的面積來，細細地刈割或修剪，把生活壓縮到一個角隅里去，把它縮小到最低的條件中，如果它被證明是卑微的，那麼就把那真正的卑微全部認識到，並把它的卑微之處公佈於世界；或者，如果它是崇高的，就用切身的經歷來體會它，在我下一次遠遊時，也可以作出一個真實的報道。因為，我看，大多數人還確定不了他們的生活是屬於魔鬼的，還是屬於上帝的呢，然而又多少有點輕率地下了判斷，認為人生的主要目標是「歸榮耀於神，並永遠從神那裡得到喜悅」。

ROBIN WILLIAMS念的《哦,船長!我的船長!》是紀念大鬍子林肯的,WHITMAN(1819-1892)原作,出自《草葉集:紀念林肯總統》LEAVES OF GRASS:Memories of President Lincoln.

WHITMAN的詩還是挺好懂的.他活在一個人們可以自由自在地理直氣壯地粗俗的時代,粗俗得純粹,粗俗得磅礴,粗俗得欣欣向榮,粗俗得可愛之極.之後美國文學便由浪漫主義轉入現實主義, 從W.D.HOWELLS到MARK TWAIN到HENRY JAMES到JACK LONDON主題漸漸深沉,情節漸漸複雜,作家那支筆也漸漸拖泥帶水起來.隨後的自然主義作品行文雖稍稍鬆了口氣,主題卻達到了凝重的極至.WHITMAN的時代一去不返.

O CAPTAIN! MY CAPTAIN!

O Captain! my Captain! our fearful trip is done, The ship has weatherd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring;

But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells; Rise up&emdash;for you the flag is flung&emdash;for you the bugle trills, For you bouquets and ribbond wreaths&emdash;for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! The arm beneath your head! It is some dream that on the deck, Youve fallen cold and dead.

My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchord safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won: Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.

ROBERT FROST(1874-1963)的詩,FROST是個大器晚成的人,11歲喪父後隨母遷居新英格蘭,曾在哈佛求學,但學業未竟.1900-1909年,他閑居鄉里,,養雞,喝酒,種田,寫詩,度過一段愜意卻挺沒出息的生活.1912年他去了LONDON,結識了初期意象派詩人F.S.FLINT,EZRA POUND,EDWARD THOMAS等人.

1913年,他發表了第一部詩集A BOY』S WISH,從此開始了他的詩人生涯,隨即一路發達:中年時擔任哈佛的詩學教授,4次獲得普利策獎,成為美國最負聲名的詩人.FROST認為作家的職責在於說出」人民所明白卻說不出來的東西」.他常以新英格蘭的點點滴滴為題材作詩, 從生活中汲取象徵和隱喻,並將當地的口語語言融入詩的表現風格,因此作品顯的平朴而恬淡,意味卻深遠.

THE ROAD NOT TAKEN是他的名作之一

THE ROAD NOT TAKEN

Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler,long I stood And looked down one as far as I could To where it bent in the undergrowth;

Then took the other,as just as fair, And having perhaps the better claim; Because it was grassy and wanted wear; Though as for that,the passing there Had worn them really about the same,

And both that morning equally lay In leaves no step had trodden black. Oh,I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence; Two roads diverged in a yellow wood,and I— I took the less traveled by, And that has made all the difference.

最後還要提到的是莎士比亞的第18號十四行詩和拜倫的」她在美中步履姍姍」.當死亡詩社山洞裡來了兩個女生時,兩個男生為恭維她們甩出的漂亮句子實際上來自於這兩首不朽佳作.

Shall I compare thee to a summers day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summers lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or natures changing course untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou owst, Nor shall death brag thou wandrest in his shade, When in eternal lines to time thou growst, So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.

William Shakespeare 莎翁此詩,一譯便死.尤其是最後兩句!

She Walks In Beauty She walks in beauty,like the night Of cloudless climes and starry skies; And all that』s best of dark and bright Meet in her aspect and her eyes; Thus mellow』d to that tender light Which heaven to gaudy day denies.

One shade the more,one ray the less, Had half impair』d the nameless grace Which waves in every raven tress, Or softly lightens o』er he face; Where thoughts serenely sweet express How pure,how dear their dwelling-place.

And on that cheek,and o』er that brow, So soft,so calm,yet eloquent, The smiles thatv win,the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!

George Gorden Byron

她在美中步履姍姍 拜倫 她在美中步履姍姍, 像星空和無雲的夜晚; 光明和黑暗的精華, 在她的臉上和眼裡交叉; 這樣化為柔和的光, 上天不準浮華的白日分享.

多一份陰影,少一份光, 那就會半損半傷 在她發上波動,臉上放輝, 那種無名的優美; 臉上靜穆清新的思想 表現它來自多麼純潔的地方.

在那面頰上,在那眉宇間,

那樣溫存,那樣寧靜,勝過巧語花言,

引人愛的微笑,燦燦的光彩,

表示年華在善良中穩度過來,

心地和平,與世無爭,

心靈光明,愛情純凈.

似乎很少一部分會問自己活著的價值和意義是什麼？

榮思，卻想拿這個問題問問你，

不知道你會如何回答這個問題。我們想要切換不同的維度帶你們去體驗區觀察去感受，然後得出屬於自己的結論和感受。然後塑造自己的價值觀，世界觀，人生觀。

《死亡詩社》，榮思想要向最珍貴的你致敬，期望你已經行走在了一條探索自我的道路上，已經行走在了一條實現自我價值的道路上，已經行走在了一條尊重他人價值體系的道路上。

你知道，

你無須向任何人解釋你的朝聖之路路在何處，亦或者拉著別人與你同行，去走自己的路，去發現自我存在的價值和意義。

你知道，

只要你依然堅持行走，

那麼一切

便在你的腳下

踐行，

那麼，

終有一天

不斷走著你

也成了一道風景

獨一無二

了無遺憾

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