英國羅斯柴爾德拍賣行告訴你各個時代青銅鏡的歷史和它的收藏價值

08-13

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中國青銅器是舉世公認的頂級藝術品，而古銅鏡製作又將青銅鑄造工藝推向了巔峰。不同歷史時期的銅鏡有著風格迥異的形象，戰國鏡的張力和層次感、漢鏡的神秘和雋秀、隋唐鏡的精緻和浮華，這些古銅鏡的經典代表將藝術之美生動地呈現在了方寸之間。

The Chinese bronze ware is recognized as the top art in the world, and the bronze mirror production has pushed the bronze casting process to its peak. The Bronze Mirrors of different historical periods have different styles of images, the tension and layering of the Warring States Mirror,

the mystery and grace of the Han Mirror, the exquisiteness and glitz of the Tang dynasty mirrors, and the classic representatives of these bronze mirrors vividly present the beauty of art. Between square inches.

戰國鑲金綠松石銅鏡

銅鏡一般由含錫量較高的青銅鑄造。最早作為用來祭祀的禮器出現，在春秋戰國至秦一般都是王和貴族才能享用，直至漢代銅鏡才慢慢的走向民間，是人們不可缺少的生活用具。一些遺存下來的銅鏡製作精良，形態美觀，圖紋華麗，銘文豐富，是中國古代青銅藝術文化遺產中的瑰寶。

Bronze mirrors are generally cast from bronze with a high tin content. It was first used as a ritual for worship. It was generally enjoyed by the king and the nobles in the Spring and Autumn Period and the Warring States. Until the Han Dynasty bronze mirror slowly moved toward the folk,

it was an indispensable tool for people. Some of the surviving bronze mirrors are well-made, beautiful in appearance, gorgeous in patterns and rich in inscriptions. They are the treasures of ancient Chinese bronze art cultural heritage.

漢代銘文連弧紋銅鏡直徑：12.9cm

如何判斷一件古銅鏡的收藏價值?首先要看這面銅鏡品相的完整度和紋飾的精美度，其次收藏銅鏡要從其歷史價值、文物價值、藝術價值等方面進行權衡。再次，特殊的製作工藝、特殊的紋飾也具有特殊的收藏價值。當然銅鏡的形狀、尺寸、稀缺性和紋飾的繁密程度也都決定著銅鏡的收藏價值。」

How to judge the collection value of a bronze mirror? First of all, we must look at the integrity of this bronze mirror and the exquisiteness of the ornamentation. Secondly, the bronze mirror should be weighed from its historical value,

cultural value and artistic value. Once again, special production techniques and special patterns also have special collection value. Of course, the shape, size, scarcity and complexity of the bronze mirror also determine the collection value of the bronze mirror. 」

漢代銘文連弧紋銅鏡直徑：12.9cm

一面古銅鏡，真正的收藏家會把玩一生。而偽藏家只會醉心於銅鏡交易價格所帶來的利益。「在收藏領域，銅鏡一直歸屬於雜項，長期市場待遇不高。不過從2010年開始，銅鏡市場突然呈現出爆髮式增長。雖然今年古銅鏡的市場行情有所回落，但未來仍有較大的成長空間。

A bronze mirror, the real collector will play for a lifetime. The fake collectors will only be fascinated by the benefits of the price of the bronze mirror. 「In the field of collection, Bronze Mirror has always been attributed to miscellaneous items,

and the long-term market treatment is not high. However, since 2010, the Bronze Mirror market has suddenly experienced explosive growth. Although the market for bronze mirrors has declined this year, there are still future Larger room for growth.

漢代銘文連弧紋銅鏡直徑：12.9cm

2008年嘉德秋拍，一件估價只有55萬的元代纏枝花卉鏡拍出了100.8萬元的價格，震驚業內，其實這僅僅是開始。2009年秋拍，一件唐代海獸葡萄鏡以268.8萬元成交。2010年秋拍，一件唐代海獸葡萄鏡以超過700萬元成交，打破了銅鏡拍賣的紀錄。這些數字說明中國古代銅鏡的價值正被市場認可。

In 2008, Jiadeqiu shot, a price of only 550,000 Yuan Dynasty wrapped flower mirror shot a price of 10.08 million yuan, shocked the industry, in fact, this is only the beginning. In the autumn of 2009, a Tang Dynasty sea beast grape mirror was sold for 2.688 million yuan. In the autumn of 2010,

a Tang Dynasty sea beast grape mirror sold for more than 7 million yuan, breaking the record of the bronze mirror auction. These figures show that the value of ancient Chinese bronze mirrors is being recognized by the market.

唐代龍鳳紋葵口銅鏡直徑：19cm?

歷史上銅鏡一直是宮廷用品和達官顯貴的消費品，能夠流傳於世且品相完好的比較少，尤其是那些鑄造工藝達到極致的銅鏡，它們的藝術價值此前被忽略了。另外，銅鏡之所以不被重視，原因還包括品相完好的銅鏡非常少。

In the history, Bronze Mirror has always been a consumer product of court supplies and dignitaries. It can be passed down to the world and the quality is relatively good, especially those bronze mirrors whose casting process is the ultimate.

Their artistic value has been neglected. In addition, the reason why the bronze mirror is not taken seriously is that there are very few bronze mirrors with good appearance.

唐代龍鳳紋葵口銅鏡直徑：19cm?

銅鏡很薄，時間跨度大，保存難度大，大多數銅鏡都有裂紋，稍有瑕疵，收藏價值就會大打折扣。從收藏價值來看，戰國的山字鏡、菱紋鏡比較珍貴;漢代的重圈銘文鏡、規矩鏡、神獸鏡也頗受追捧;而隋唐的瑞獸葡萄鏡、花卉鏡則是收藏重點。此外，鎦金、鏤空彩繪、螺鈿鏡、金銀平脫等附加了特殊工藝的銅鏡也很受市場關注。

The bronze mirror is very thin, the time span is large, and the storage is difficult. Most of the bronze mirrors have cracks, which are slightly flawed, and the collection value will be greatly reduced.

From the point of view of the collection value, the Shanzi mirror and the diamond mirror of the Warring States are more precious; the inscriptions of the Han Dynasty, the mirrors of the rules, the mirrors of the gods and the beasts are also highly sought after;

and the mirrors of the beasts and the mirrors of the flowers in the Sui and Tang Dynasties are the focus of collection. In addition, bronze mirrors with special techniques such as sheet metal, hollow painting, screw mirror, gold and silver flat are also very popular in the market.

上面這件唐代銅鏡，葵花口，寬素邊，龍鳳紋。鏡背主紋為高浮雕龍鳳紋隔半珠鈕對望。紋飾精美，圖案生動。八瓣葵花形邊，龍踩祥雲，鳳踏花朵，鈕坐菱花。鏡背與鏡面烏黑光亮，偶有綠銹紅斑間雜其中。此鏡鑄工精良，紋樣傳神。頭模大器，精妙絕倫，堪稱唐鏡上品。

Above this Tang Dynasty bronze mirror, sunflower mouth, wide plain, dragon and phoenix. The main back of the mirror is a high-relief dragon and phoenix with a half-bead button. Beautifully decorated with vivid patterns. Eight-flowered sunflower-shaped edge,

the dragon stepped on the auspicious cloud, the phoenix stepped on the flower, and the button sits on the flower. The mirror back and the mirror are black and bright, and occasionally there is a mixture of green rust and red spots. This mirror caster is excellent and the pattern is vivid. The head mold is exquisite, and it is called Tang mirror.

唐代龍鳳紋葵口銅鏡直徑：19cm?

中國銅鏡，以漢鏡出土的數量最多。漢代銅鏡圖案豐富、製作精巧，具有很高的藝術性和裝飾性，是我國銅鏡發展的重要時期。鏡形基本為圓形，半圓形鈕為主，也出現了一些伏獸形鈕。紋飾表現手法為平雕、線雕和浮雕，種類上主要有蟠螭紋、蟠虺紋、草葉紋、規矩草葉、規矩蟠螭紋、百乳紋、四乳四虺，以及「日光」、「昭明」等以銘文為裝飾的銘文帶（指有銘文的部分）鏡。

Chinese bronze mirrors have the largest number of unearthed Han Mirrors. The Han Dynasty bronze mirror pattern is rich, exquisitely crafted, and has a high artistic and decorative nature. It is an important period for the development of bronze mirrors in China.

The mirror shape is basically circular, the semi-circular button is dominant, and some volcanic buttons are also appeared. The patterning techniques are flat carving, line carving and embossing. The main types are crepe, crepe, grass leaf pattern, grass leaf, regular crepe pattern, milk pattern, four breasts, and "daylight". , "Zhaoming" and other inscriptions decorated with inscriptions (refer to the part with inscriptions) mirror.

宋代菱花銅鏡直徑：15.2cm

隋唐代是開放包容的盛世之期，制度上的文明和經濟上的昌盛，使得青銅鏡發展達到了歷史鼎盛。唐代青銅鏡紋飾巧妙、圖案豐富、鏡體厚重。唐代青銅鏡在器型上更是突破了漢式鏡，出現了葵花鏡、菱花鏡、方亞形鏡等。在主題紋飾和表現技法上，唐代銅鏡內容上更注重寫實和人物故事，紋飾多以鴛鴦、蟠龍、海獸葡萄、人物故事及花卉等為主，彰顯了唐人的優雅、奢華與浪漫。

The Sui and Tang Dynasties were open and inclusive, the institutional civilization and economic prosperity made the development of bronze mirrors reach a historical peak. The bronze mirrors of the Tang Dynasty are ingenious, rich in patterns and thick in mirrors.

In the Tang Dynasty, bronze mirrors broke through the Chinese-style mirrors, and sunflower mirrors, magnifying mirrors, and square-shaped mirrors appeared. In the theme of decoration and performance techniques,

the Tang Dynasty bronze mirror content pays more attention to realistic and character stories. The decoration is mainly composed of dragonfly, dragon, sea beast grape, character story and flower, which highlights the elegance, luxury and romance of the Tang Dynasty.

宋代菱花銅鏡直徑：15.2cm

此面宋代銅鏡菱花八瓣，圓鈕，鏡背紋飾分內外二區，內區略低，飾以鎖心形纏枝紋，四隻神獸刻畫，生龍活虎，寓意非常。

This face of the Song Dynasty bronze mirror Linghua eight petals, round button, mirror back decoration is divided into two areas inside and outside, the inner area is slightly lower, decorated with lock-heart-shaped winding pattern, four beasts depicting, living dragons and tigers, meaning very much.

宋代菱花銅鏡直徑：15.2cm

宋代銅鏡不崇華侈，而重實用，器體輕薄，裝飾簡潔，形狀仍以圓形為主，亦有方形、弧形、菱形以及帶柄等多種形式。背面多鑄有花鳥魚蟲、人物故事、山水樓閣等圖案紋飾，亦有光素無紋者。宋代銅鏡大部分為黃銅質，含錫量明顯減少，而含鉛量大增，這樣的合金成分一直影響著後世的銅鏡，這也成為鑒別宋代乃至以後各朝代銅鏡的重要依據。

In the Song Dynasty, the bronze mirror was not admirable, but it was practical and practical. The body was light and thin, and the decoration was simple. The shape was still round, and there were also various forms such as square, curved, diamond and handle.

On the back, there are many patterns of flowers, birds, fish, insects, landscapes, landscapes, and other patterns. Most of the bronze mirrors in the Song Dynasty were brassy, the tin content was significantly reduced, and the lead content was greatly increased.

Such alloy composition has always influenced the bronze mirrors of later generations, which has become an important basis for distinguishing the bronze mirrors of the dynasties in the Song Dynasty and later.

遼青銅鏡

遼代銅鏡大都承襲唐鏡的雄渾和宋鏡的柔和，並結合草原民族的彪炳習性，形成遼代獨有的銅鏡藝術風格。遼代銅鏡作為中國古代銅鏡歷史發展的一個相對較為特殊且頗具魅力的時期，其紋飾圖案不僅有八卦紋、荷花紋、連錢紋、龍紋等，並且因所處歷史環境、地域文化、民族風俗、宗教信仰等因素，出現了一些充滿遼代契丹本民族特點的紋飾圖案，形成了中國銅鏡史中獨樹一幟的紋飾風格。

The bronze mirrors of the Liao Dynasty mostly inherited the gentleness of the Tang dynasty and the softness of the Song Mirror, and combined with the sacred habits of the grassland people, formed the unique bronze mirror art style of the Liao Dynasty.

As a relatively special and attractive period of the historical development of bronze mirrors in ancient China, the Liao Dynasty bronze mirrors not only have eight-striped patterns, lotus patterns, even money patterns, dragon patterns, etc., but also because of their historical environment and regional culture.

Factors such as ethnic customs and religious beliefs have appeared in some patterns that are full of the characteristics of the Qidan nationality in the Liao Dynasty, forming a unique style of Chinese bronze mirror history.

元青銅鏡

元代銅鏡可謂是「粗者甚粗，精者頗精」。元鏡式樣少，除流行的圓形和圓形帶柄鏡外，形制基本上保存了宋代銅鏡流行的形制，有圓形、菱花形、葵花形及帶柄鏡。紋飾有雙魚紋、雙龍紋、花草、禽鳥紋、八卦星象圖案和人物故事等。銘文少見，一般是吉祥語，也有紀年銘，多作單行排列，有的在鏡緣刻出鑄造匠師名款。

The bronze mirror of the Yuan Dynasty can be described as "the thick is very thick, the fine is quite fine." There are few Yuan mirror styles. In addition to the popular round and round handle mirrors, the shape basically preserves the popular shape of the bronze mirror of the Song Dynasty.

It has a round shape, a rhomboid shape, a sunflower shape and a handle mirror. The pattern is decorated with double fish, double dragon, flowers, birds, gossip, and character stories. The inscriptions are rare, generally auspicious, and there are also the chronological Ming, which are arranged in a single line, and some are engraved in the name of the casting master.

小編從英國羅斯柴爾德拍賣行駐大陸辦事處億緣文化了解到我們今天看到的這三件珍稀的銅鏡《漢代銘文連弧紋銅鏡》，《唐代龍鳳紋葵口銅鏡》，《宋代菱花銅鏡》將參加英國羅斯柴爾德拍賣行ukrothschild新加坡拍賣會，這正是我們近距離接觸古代銅鏡遺珍的好機會。

Xiao Bian learned from the British Rothschild auction office in the mainland office Yiyuan culture to learn these three "Han Dynasty inscriptions with curved copper mirror", "Tang Dynasty Dragon and Phoenix Pattern Kwaikou Bronze Mirror", "Song Dynasty Linghua Bronze Mirror" I will be attending the ukrothschild Singapore auction in Rothschild, UK, which is a good opportunity for us to get close to this ancient bronze mirror.